By Kent Cartwright
A spouse to Tudor Literature offers a set of thirty-one newly commissioned essays targeting English literature and tradition from the reign of Henry VII in 1485 to the dying of Elizabeth I in 1603.
- Presents scholars with a priceless historic and cultural context to the period
- Discusses key texts and consultant topics, and explores matters together with overseas impacts, non secular swap, commute and New global discoveries, women’s writing, technological ideas, medievalism, print tradition, and advancements in tune and in modes of seeing and reading
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Additional resources for A Companion to Tudor Literature
Mary Fuller analyzes, in travel writing from Mandeville through Hakluyt, the changing boundaries between truth and fiction, real and unreal. As Fuller notes, despite a trend toward suppressing derivative fantastical narratives and preferring first-hand accounts, the Tudor “I” can be a complicated observer who still tells anecdotes of headless men and other marvels. ” Mentz argues that The Unfortunate Traveler’s great subject is the print culture that has come into being in the course of the sixteenth century.
The secular and the sectarian were not necessarily separate realms (Trill), and the Protestant theology of original sin could be imagined as intensifying guilt-feelings of parenthood (Hirschfeld). In these and numerous other ways, religion saturated the Tudor period and its literature. Medievalism and classicism One of the inherited ways of defining the Renaissance is by an awakened consciousness of its own historical moment; a rejection of the verities of the Middle Ages; and a longing for the qualities of a lost classical past.
England had a historic and ambiguous relationship to French, for example, and French dictionaries were part of the English printing landscape (Coldiron). Likewise, books of instruction in Italian language and grammar appeared (Benson). English also had a deep but complex relationship to Latin, which was still the language of education and of law but was also associated with Papistry; by mid-century the case was being made for English as a literary language (Hornback). Here as elsewhere, England shows a layering of linguistic knowledge, while the Tudor effort to affirm English gives evidence of its permeability by other languages.