By Graeme Harper (ed.)
A spouse to artistic Writing comprehensively considers key facets of the perform, career and tradition of artistic writing within the modern world.
- The such a lot entire assortment in particular in relation to the practices and cultural position of inventive writing
- Covers not just the “how” of inventive writing, yet many extra subject matters in and round the occupation and cultural practices surrounding inventive writing
- Features contributions from overseas writers, editors, publishers, critics, translators, experts in public artwork and more
- Covers the writing of poetry, fiction, new media, performs, motion pictures, radio works, and different literary genres and forms
- Explores artistic writing’s engagement with tradition, language, spirituality, politics, schooling, and heritage
Chapter 1 The structure of tale (pages 7–23): Lorraine M. Lopez
Chapter 2 Writing inventive Nonfiction (pages 24–39): Bronwyn T. Williams
Chapter three Writing Poetry (pages 40–55): Nigel McLoughlin
Chapter four Writing for kids and teenagers (pages 56–70): Kathleen Ahrens
Chapter five Write on! sensible options for constructing Playwriting (pages 71–85): Peter Billingham
Chapter 6 Writing for Sound/Radio (pages 86–97): Steve May
Chapter 7 Writing the Screenplay (pages 98–114): Craig Batty
Chapter eight New Media Writing (pages 115–128): Carolyn Handler Miller
Chapter nine tips to Make a Pocket Watch: The British Ph.D. in artistic Writing (pages 129–143): Simon Holloway
Chapter 10 artistic Writing and the opposite Arts (pages 144–159): Harriet Edwards and Julia Lockheart
Chapter eleven brokers, Publishers, and Booksellers: A old viewpoint (pages 161–178): John Feather
Chapter 12 The altering function of the Editor: Editors previous, current, and destiny (pages 179–194): Frania Hall
Chapter thirteen Translation as artistic Writing (pages 195–212): Manuela Perteghella
Chapter 14 artistic Writing and “the lash of feedback” (pages 213–228): Steven Earnshaw
Chapter 15 yet what is rather at Stake for the Barbarian Warrior? constructing a Pedagogy for Paraliterature (pages 229–244): Jeffrey S. Chapman
Chapter sixteen inventive Writing and schooling (pages 245–262): Jeri Kroll
Chapter 17 the increase and upward push of Writers' fairs (pages 263–277): Cori Stewart
Chapter 18 inventive Writing learn (pages 278–290): Graeme Harper
Chapter 19 Literary Prizes and Awards (pages 291–303): Claire Squires
Chapter 20 D.H. Lawrence, ceaselessly at the circulation: inventive Writers and position (pages 305–319): Louise DeSalvo
Chapter 21 The Psychology of inventive Writing (pages 320–333): Marie J. C. Forgeard, Scott Barry Kaufman and James C. Kaufman
Chapter 22 artistic Writing around the globe (pages 334–347): Matthew McCool
Chapter 23 artistic Hauntings: artistic Writing and Literary background on the British Library (pages 348–356): Jamie Andrews
Chapter 24 Politics (pages 357–376): Jon Cook
Chapter 25 inventive Writing and the chilly conflict collage (pages 377–392): Eric Bennett
Chapter 26 “To the mind's eye, the sacred is self?evident”: concepts on Spirituality and the Vocation of artistic Writing (pages 393–404): J. Matthew Boyleston
Chapter 27 The Writer?Teacher within the usa: where of lecturers locally of Writers (pages 405–420): Patrick Bizzaro
Chapter 28 artistic Writing to the longer term (pages 421–432): Graeme Harper
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Extra resources for A Companion to Creative Writing
Touré, Never Drank the Kool-Aid: Essays. New York: Picador, 2006. Urrea, Luis A. The Devil’s Highway: A True Story. New York: Little, Brown, 2004. Villanueva, Victor. Bootstraps: From an American Academic of Color. Urbana, IL: National Council of Teachers of English, 1993. Wallace, David F. Consider the Lobster and Other Essays. New York: Little, Brown, 2005. Williams, Bronwyn T. ” College English. 3 (2003): 290–304. Writing Creative Nonfiction 39 Books on Writing Creative Nonfiction Ballenger, Bruce P.
Karr, Mary. The Liars’ Club: A Memoir. New York: Viking, 1995. Kidder, Tracy. Mountains beyond Mountains. New York: Random House, 2003. Kingston, Maxine H. The Woman Warrior: Memoirs of a Girlhood among Ghosts. New York: Knopf, 1976. Krakauer, Jon. Into the Wild. New York: Anchor, 2007. Lopate, Phillip. , The Art of the Personal Essay (pp. xxiii–liv). New York: Doubleday, 1994. Lopate, Phillip. Portrait of My Body. New York: Anchor, 1996. Lopez, Barry H. Of Wolves and Men. New York: Scribner, 1978.
Construction: The Writing Process Once decisions regarding setting, characterization, and perspective have been made, writers often set about drafting the work. In doing so, skilled authors pay attention to the rhythm of words on the page and the level of discourse. They will often pause at the end of passages and read the work aloud, listening for the flow and authenticity of the language. At this stage, as well as during revision and editing, it is critical to be aware of phonemic relationships between words, in addition to being on the lookout for unintentional rhyming words, distracting meter, and words or phrases repeated too often or in too close proximity to one another.