By Isabel Abedi
In Lolas Leben wimmelt es vor Krisen. Mama hat eine Baby-Krise. Tante Lisbeth hat eine Verlobungs-Krise. Und Lolas beste Freundin Flo hat eine Enzo-Krise. (Das ist eine Krise, die guy bekommt, wenn ein Pflegebruder einzieht, für den die Bezeichnung „schwer erziehbar" noch harmlos ist.)
Aber die gefährlichste Krise von allen hat Lola selbst: eine Identitätskrise. Sie weiß einfach nicht, was once sie nachts werden soll! Nachdem sie sich als Nonne (zu langweilig) und Totengräberin (zu traurig) versucht hat, bringt ihr der Schulalltag die rettende Idee.
„Das perfekte Dinner" - so heißt das Projekt, für das sich Lola begeistert anmeldet. Ab sofort sind ihre Nächte gerettet, denn als berühmte Sterneköchin Cocada Delicada macht sie mit ihren magischen Gerichten die Welt glücklicher. Ob Lolas Leben in der Wirklichkeit aber auch krisensicher bleibt, das muss sich erst noch zeigen.
Die warmherzig und humorvoll erzählte Spiegel-Bestseller-Reihe der renommierten Autorin Isabel Abedi um das beliebte Mädchen Lola, ihre Familie und ihre Freunde.
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Extra resources for 5 Sterne für Lola
Caspian himself appeals to the crew’s sense of adventure when he asks them to continue on to the east (14). In SC, Rilian underscores Reepicheep’s belief that adventure is not to be taken lightly. When the children and Puddleglum are trying to guess the meaning of the ﬁreworks, he says, “when once a man is launched on such an adventure as this, he must bid farewell to hopes and fears, 28 AGING AND DISABILITY otherwise death or deliverance will both come too late to save his honor and his reason” (SC 13).
Ford, “Prince Caspian,” in The C. S. Lewis Reader’s Encyclopedia, 338. 9 Lewis intended to end the Chronicles with The Voyage of the Dawn Treader, as you can see in the last scene of the book. ” Between the time he corrected the galley proofs of the British edition and the time he corrected the galley proofs of the American edition, he delivered the address “On Three Ways of Writing for Children” to the British Library Association. When someone objected that fairy tales are too violent for children, Lewis said: “I suffered too much from nightfears myself in childhood to undervalue this objection.
4 He has toiled his entire life to learn magic, at great cost to himself, so that he can open the forbidden box—and all it contains is dust (Lewis expects his readers to agree that this is the natural reward for a life devoted to magic). He attributes Digory’s “warped” moral sense to his having been “brought up among women . . on old wives’ tales” (MN 2). In their experimenting with the rings, Digory and Polly discover that Uncle Andrew does not really know how the rings work; like most magicians, Lewis says, “Uncle Andrew .